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Image by Manos Gkikas

20 – 25 March 2025
7pm
Milton Court Studio Theatre

Spring Opera Scenes

Lucy Bradley director 
Jonathon Cole-Swinard music director 
Helen Hebert designer
Toby Ison lighting designer
Abigail Kessel intimacy director & choreographer

Digital Programmes

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Milton Court

Please make sure that digital devices & mobile phones are silenced during the performance.

Eating is not permitted in the auditorium.

 

Drinks are allowed inside the auditorium in polycarbonates.

Filming or recording of the performance is not permitted.

Latecomers will be able to enter the auditorium at a suitable break in the performance.

Guildhall School of Music & Drama

Founded in 1880 by the City of London Corporation

Chair of the Board of Governors

The Hon. Emily Benn

Principal
Professor Jonathan Vaughan

Vice-Principal & Director of Music

Armin Zanner​

Interim Director of Production Arts & Programme Leader, BA Production Arts

Hansjörg Schmidt

Please visit our website at gsmd.ac.uk

Programme

Please note this production features depictions of coercion and mild content of a sexual nature. Strobe lighting and haze effects will be used, and there may be loud noises.

 

The performance will last approximately 2 hours and 20 minutes, including one 15-minute interval.

 

Due to the technical nature of this performance, the interval is closed to the public. Please make your way out of the auditorium.

Due to illness, Caroline Bourg will sing the role of Die Marschallin (Der Rosenkavalier) and Hannah McKay will sing the role of Gioconda (La Gioconda) for performances on 24 & 25 March.

Monteverdi L'incoronazione di Poppea

Prologue and Scene 1

Nero’s Rome c. AD 57

 

Fortuna

Hannah McKay

Virtu

Lowri Probert

Amor

Manon Ogwen Parry

Ottone

Gabriella Noble

Primo Soldato

Harry Jacques

Secondo Soldato

Tobias Campos Santiñaque

 

Repetiteurs

Henry Reavey

Jonathon Cole-Swinard

 

The Gods – Fortune, Virtue and Love argue over which of them has the most power to influence humans.

 

Late at night, Ottone returns after months overseas, he stands outside the palace of his love, Poppea, desperate to be reunited and willing her to wake up.

 

Ottone recognises two of Nero’s soldiers standing guard outside and realises to his horror that his wife has been unfaithful to him. Inside, Poppea lies in the arms of Nero.  Ottone laments the promises that Poppea has made to him and leaves fuelled by bitter rage.

 

The soldiers wake up and bemoan their night shift; they gossip about Nero, Poppea and the state of the nation.

Donizetti Don Pasquale

Scene from Act 1

A garden in Rome, 18th Century 

 

Norina

Seohyun Go

Malatesta

Sonny Fielding

 

Repetiteur

Jack Stone

 

Don Pasquale does not approve of Norina, the girl his nephew Ernesto wants to marry. Don Pasquale doesn’t think she is good enough for Ernesto and has forced him to give her up. When Ernesto refuses, Don Pasquale who previously swore he would never marry, decides he will take a wife and will disinherit Ernesto as punishment.

 

Norina is waiting for Doctor Malatesta, who is hatching a plan to get revenge on Don Pasquale and to see Ernesto back in his rightful place.  Together, Norina and Malatesta vow to meddle with Don Pasquale – Norina will pretend to be Malatesta’s sister from the convent in order to woo Don Pasquale, then when he is committed to her, Norina will take her revenge.

Prokofiev War and Peace

Scene 1

Rostov estate at Otrodnoye, Russia. A moonlit night in May 1809

 

Natasha

Hannah McKay

Sonya

Gabriella Noble

Prince Andrei

Redmond Sanders

 

Repetiteur

Jack Stone

 

Prince Andrei cannot sleep, recently widowed and back from military service, he is depressed. He recalls a path taken earlier in the day, when, surrounded by lush, verdant nature he felt empty. In the midst of his grief, Andrei feels that hope and happiness no longer exist.

 

Upstairs in their bedroom, Natasha Rostov and her cousin Sonya are also struggling to sleep, they look out over the garden and discuss how full of promise it is. Overhearing them, Prince Andrei is captured by the girls’ energy and is especially intrigued by Natasha. His spirit is lifted, and he feels transformed by her youthful optimism.

Massenet Manon

Scene from Act 2

A small flat on the outskirts of Paris, 1930

 

Manon

Seohyun Go

Des Grieux

Tobias Campos Santiñaque

Lescaut

Oliver Williams

De Brétigny

Sonny Fielding

Maid

Julia Solomon

Repetiteur

Henry Reavey

 

One week earlier, Manon arrived via coach to the outskirts of Paris where she was due to join a convent. Met at the coach stop by her cousin Lescaut, Manon caused quite a stir with her beauty and lust for life. She met a nobleman, De Brétigny who sought her attention, while her cousin entertained himself in the gambling house. A young chevalier, Des Grieux also fell for Manon and in an attempt to free her from the confines of the convent, whisked her away to Paris.

One week later, Des Grieux and Manon have set up a makeshift home together. Des Grieux writes a letter to his father to state his intention to marry Manon. 

Lescaut and De Brétigny track down Manon and Des Grieux. Lescaut wants to clear the family name of this dishonour, and De Brétigny wants to win Manon’s favour himself. De Brétigny warns Manon that Des Grieux’s father has sent a group of men to collect him and bring him home. 

Manon is torn, she loves Des Grieux but knows that a life with him, without his father’s blessing would be a challenging one. De Brétigny on the other hand, offers a life of plenty and security. 
 

Ponchielli La Gioconda

Scene from Act 2

Nightime, a small grotto on an uninhabited island in Venice, 1970

 

Gioconda

Avery Lafrentz

Laura

Lowri Probert

 

Repetiteur

Yongqiu Yuan

 

Laura’s first love was Enzo, but for political reasons their match was not allowed and instead Laura was married to Alvise. She has lived trapped in her unhappy marriage ever since.  Enzo married Gioconda, a famous diva, but Enzo has never been able to forget his love for Laura.

 

Laura and Enzo meet and re-kindle their love, they agree to escape together and meet in an uninhabited island in the lagoon of Venice, from where they will take Enzo’s ship and leave the city. Gioconda has been informed of the plan and has followed Enzo and Laura to try and put a stop to it.

 

Interval (15 minutes)

 

Poulenc Dialogues des Carmélites

Act 1 Scene 1

The home of The Marquis de la Force, outside Paris 1789

 

Blanche

Manon Ogwen Parry

Chevalier

Harry Jacques

Marquis

Redmond Sanders

Thierry

Tobias Campos Santiñaque

 

Repetiteur

Henry Reavey

 

The Marquis de la Force is rudely awakened from his nap by the clamour of his son the Chevalier, who is looking for his sister Blanche. He has heard that Blanche’s coach has been stopped by an angry mob at a nearby crossroads.

 

The Marquis is reminded of the circumstances of his dear wife’s death, a public commotion and stampede at a fireworks display led to the premature birth of Blanche and his wife’s death in childbirth.

 

The Chevalier is concerned for Blanche who seems to be consumed by a sickness. The Marquis quietens his son, saying that what Blanche needs is to be married off and to have children.

 

Blanche arrives and describes the scene at the crossroads, in the melee she felt strangely unafraid. Blanche resolves that everything that happens is the will of God and requests her father’s permission to enter the Carmelite order.

 

 

 

Britten Gloriana

Scene from Act 1

The Gardens of the Earl of Essex, The Strand, late 16th Century, the Reign of Elizabeth I

 

Lady Penelope Rich

Lowri Probert

Lady Essex

Julia Solomon

Earl of Essex

Harry Jacques

Lord Mountjoy

Sonny Fielding

 

Repetiteurs

Yongqiu Yuan

Henry Reavey

 

Lord Mountjoy is waiting in the garden of the Earl of Essex for a stolen hour with his forbidden love – the sister of Essex, Lady Penelope Rich.

 

Meanwhile the Earl of Essex expresses his frustration to his wife that he continues to be overlooked by Queen Elizabeth I. Lady Essex is concerned about her husband’s dangerous comments that could be considered treason should Elizabeth’s spies be listening.

 

Penelope and Lord Mountjoy overhear Essex griping and warn him to take care in case he is overheard. Despite Lady Essex’s warnings, they too enter into the treacherous imagining of a day when Elizabeth will no longer hold the throne.

 

Mozart Don Giovanni

Scene from Act 1

Hollywood, Late 1960s

 

Donna Anna

Seohyun Go

Donna Elvira

Hannah McKay

Zerlina

Gabriella Noble

Don Ottavio

Tobias Campos Santiñaque

Don Giovanni

Oliver Williams

 

Repetiteur

Henry Reavey

 

Don Giovanni detains Zerlina alone in his studio for a casting; Don Giovanni charms Zerlina with promises of the life she would have if they were married and the lure of a glamorous job.

 

Elvira, a past lover of Don Giovanni, recently spurned by him, arrives and witnesses Giovanni using the same lines on Zerlina as he used on her, she is disgusted by his audacity. Elvira arrives in time to save Zerlina, and drags her away.

 

Donna Anna, who is grieving for her father, arrives with her partner Don Ottavio. They are looking for the help of Don Giovanni to find the murderer of Donna Anna’s father, little do they realise, he died at Don Giovanni’s hand.

 

Elvira returns and again thwarts Don Giovanni’s plan to lie and cheat his way out of the situation. Donna Anna and Don Ottavio are at first dumbfounded that Don Giovanni could be anything other than an honourable man, but Elvira makes a strong case against him.

 

R. Strauss Der Rosenkavalier

Scene from Act 3

Vienna, 1740

Sophie

Manon Ogwen Parry

Die Marschallin

Avery Lafrentz

Oktavian

Julia Solomon

Faninal

Redmond Sanders

 

Repetiteur

Henry Reavey

 

Oktavian is the young and handsome lover of a married Marschallin, Marie Therese. Oktavian has vowed he will love her forever, but Marie Therese knows that at some point in the future she will have to let her young lover go.

 

Sophie and Oktavian meet and fall head over heels for each other instantaneously. Oktavian is torn by the promises sworn to Marie Therese that very morning. Since meeting Sophie, Oktavian’s heart has been transformed in a single day.

 

Marie Therese appraises Sophie and while her tongue-tied young lover dithers, the Marschallin agrees to help the pair secure their future by talking to Sophie’s father.

 

Oktavian and Sophie are united and see only each other. Marie Therese knew that this day would come but did not expect it so soon. Quietly she leaves.

 

Synopses by Lucy Bradley

Production Team

Vocal Arts Department Students & Fellows

Repetiteurs

Henry Reavy
Jack Stone
Yongqiu Yuan

Production Arts Students

Production Manager

Jay Culmer

 

Assistant Production Managers

Abbie Simcock

Kirsty Edwards

 

Stage Manager

Kal Chapman

 

Deputy Stage Manager

Agatha Giannini

 

Assistant Stage Manager (Book Cover)

Agnes Rønningen

 

Assistant Stage Manager

Lili Warden

 

Production Electrician

Joshua Sanderson

 

Lighting Programmer

Jaiden Parsons

Technical Manager

Charlie Martin

 

Props Coordinator

Lauren Jones

 

Lead Prop Maker

Brighton Temple

 

Prop Makers

Christina Angus

Imogen Marinko

Sid Worth

Christa Yap Shin Yee

 

Scenic Art Coordinator

Katherine Byrne

 

Scenic Artists

Alice Friend

Hawks Gómez

Koren Little

Kamila Przybylski

Costume Supervisor

Emily Sayner

 

Wardrobe Manager

Iris Towers

 

Costume Assistants

Tara Duffy

Emma Mason

Nicole Thomaz

Additional Staff

Italian Language Coach

Emma Abbate

 

French Language Coach

Florence Daguerre De Hureaux

 

Russian Language Coach

Rebekka Magomedova

 

German Language Coach

Johanna Mayr

Freelance

Wigs, Hair and Makeup

Lucia Mameli

Stage Crew
working across our Opera and Drama productions this year:

Blair Addison

Tia Alexandrou

Megan Allison

Katie Ball

Emma Blake

James Broadhurst

Rachel Butterly

Muiris Capon-Telford

Emily Carden

Tommy Carroll

River Charteris-Wright

Katie Clarke

Cam Cole

Natasha Davies

Jonathan Desmares-Vaury

Mary Dorain

Vincent Farey

Eloise Fedarb

Nyah Felix

Aimee Fields

Maisie Gamble

Samuel Gilbert

Alice Green

Milly Gregg

M. Mei Griffin

Ellia Jayne Hallows

Izabel Hessian

Scarlett Horsburgh

Poppy Inglis

Raven Jakobs

Lara Jaques

Liam Jenkins

Harris Johnston

James Levy

Thailiyah Lindo

Izzy Lovelock

Mary

Gemma Martin

Hailey Middlewood

Summer Minnott

A. Murphy

Ellisia Paper

Freya Parnell

Rebecca P

Dan Quirke

Hannah Rhind

Lola Ringer

Jack Rudd

Edmond Rudland

Howard James Shakespeare

Ben Sharp

Pidge Stinson

Elliott Stradling

TJ Sunderland

Isabel Taxman

Charlie Tiernan

Jamie Waters

Jasmin Weekes

Emily Wilson

Olivia Wood

Pheonix Ying

Guildhall School
Production Arts Department

Guildhall School
Opera Department

​Interim Director of Production Arts & Programme Leader, BA Production Arts

Hansjörg Schmidt

Interim Deputy Programme Leader, BA Production Arts

Bex Snell

Interim Programme Leader,

BA Performance Design

Dr Susannah Henry

Programme Leader, BA Digital Design & Production

Pete Wallace

 

Programme Leader, MA Collaborative Theatre Production & Design

Dr Emily Orley

Head of Theatre Technology

Andy Taylor

Head of Costume

Rachel Young

Head of Design Realisation

Vanessa Cass

Head of Stage Management

Helen Barratt

Associate Producer

Stuart Calder

Outreach Manager

(Production Arts)

Jon Hare

A full list of Production Arts teaching staff and technicians

can be found on our website.

Head of Opera Studies

Dominic Wheeler

Resident Producer

Martin Lloyd-Evans

Opera Department Manager

Brendan Macdonald

Visiting Music Coaches

Lionel Friend

Kate Golla
Alexander Ingram

Tony Legge
Michael Lloyd
Elizabeth Marcus

Jonathan Papp
Linnhe Robertson
Peter Robinson
Elizabeth Rowe
Susanna Stranders​

Drama Coaches

Martin Lloyd-Evans
Victoria Newlyn

Movement Coaches

Victoria Newlyn

Rachel Wise

Combat Coaches

Jonathan Leverett

Language Coaches

Florence Daguerre de Hureaux
Johanna Mayr

Emma Abbate

Lada Valešová

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Forthcoming Events

Dido and Aeneas

9–16 June 2025

Milton Court Theatre
 

Step into the world of Dido and Aeneas, Henry Purcell’s celebrated masterpiece, brought to life in the intimate setting of Guildhall School’s Milton Court Theatre

Opera Makers

27 June–2 July 2025

Milton Court Studio Theatre 
 

Join us for three exciting new works written by composers and librettists on Guildhall’s MA in Opera Making & Writing, performed by singers and repetiteurs from the first year of the Guildhall Opera Course.

Explore our Summer Season

 

Our Summer 2025 season has just been announced! Experience the best of Opera, Drama, Classical, Jazz and more at Guildhall School of Music & Drama from May to July, with highlights including Purcell’s Dido and Aeneas, Neil Bartlett’s dazzling adaptation of Virginia Woolf’s Orlando, a concert led by renowned jazz pianist Nikki Iles, the return of our Making It Festival, and much more.

Guildhall School Scholarship Fund

Each year the Scholarships Fund enables talented young actors, musicians, production artists and theatre technicians to take up their places or continue their studies at Guildhall School. We are extremely grateful to the many trusts, foundations, businesses, City livery companies and individuals who make annual donations to the Scholarships Fund, and to those people who make provision for legacy donations in support of the School in their wills. Production Arts and Opera students involved in this production who have received support from this year’s Scholarships Fund and from external donors are as follows:


Opera Department Scholars:

Sonny Fielding Fishmongers’ Music Scholarship

Seohyun Go Margaret Easton Scholarship, Fishmongers Colyers-Edwards Bequest

Harry Jacques Edith Vogel Bursary, Grocers’  Scholarship

Avery Lafrentz Timothy Brennan KC Scholarship

Hannah McKay Behrens Foundation Scholarship, Carpenters’ Company Henry Osborne Award Scholarship

Gabriella Noble Dyers’ Scholarship, Horners’ Becker Scholarship

Manon Ogwen Parry Michael Bryant Bursary, Tallow Chandlers' Scholarship

Lowri Probert Sally Cohen Opera Scholarship

Henry Reavy Ironmongers’ Scholarship

Redmond Sanders Anne Pashley Opera Scholarship, Robert Easton Scholarship

Tobias Campos Santiñaque Weavers’ Scholarship

Julia Solomon Tobacco Pipe Makers’ Scholarship, Wax Chandlers’ Scholarship

Jack Stone Wolfgang Bruckner Scholarship

Oliver Williams Gwen Catley Scholarship

Yongqiu Yuan Kendal Scholarship

Production Arts Department Scholars:

 

Christina Angus Guildhall Scholarship

Kal Chapman Guildhall Scholarship

Kirsty Edwards Guildhall Scholarship

Alice Friend Guildhall Scholarship

Agatha Giannini Guildhall Scholarship

Hawks Gómez Guildhall Scholarship

Lauren Jones Jane Ades Ingenuity Scholarship

Koren Little Guildhall Scholarship

Charlie Martin Guildhall Scholarship

Emma Mason Guildhall Scholarship

Jaiden Parsons Guildhall Scholarship

Agnes Rønningen Guildhall Scholarship

Iris Towers Carpenters’ ​Company Production Arts Scholarship

Christa Yap Shin Yee Vanstone Scholarship

To discover more, visit bit.ly/3P5jbIc
or contact the Development team at
development@gsmd.ac.uk or
+44 (0) 20 4582 2415

Our Supporters

Guildhall School is grateful for the generous support of the following individuals, trusts and foundations, City livery companies and businesses, as well as those who wish to remain anonymous.

Exceptional Giving

City of London Corporation
The Guildhall School Trust
The Leverhulme Trust
Estate of Evelyn Morrison

Leadership Giving

Victor Ford Foundation
Foyle Foundation
The Garek Trust
Estate of Anthony Payne
Estate of Rosemary Thayer
Hugh Vanstone HonFGS and George Stiles
Wolfson Foundation

Principal Benefactors

Amar-Franses & Foster-Jenkins Trust

Foundation for Young Musicians

Christina and Ray McGrath Scholarship

Estate of Ron Peet

Estate of Harold Tillek

Garfield Weston Foundation

Major Benefactors

City of London Corporation Education Board
Fishmongers’ Company
Norman Gee Foundation
Leathersellers’ Company
Herbert and Theresie Lowit Memorial Scholarship
Sidney Perry Foundation
Barbara Reynold Award
Henry Wood Accommodation Trust
C and P Young HonFGS

Benefactors

Jane Ades Ingenuity Scholarship
Carrie Andrews
Athena Scholarship
David Bartley Award
Behrens Foundation
Binks Trust
Sir Nicolas Bratza
Timothy Brennan KC
Derek Butler Scholarship
Dow Clewer Foundation
Sally Cohen Opera Scholarship
Brian George Coker Scholarship
The Cole Bequest
Stella Currie Award

D’Oyly Carte Charitable Trust
Elmira Darvarova
David Family Foundation
Gita de la Fuente Scholarship
Drapers’ Company
Margaret Easton Scholarships
Amy and John Ford HonFGS
Lillian and Victor Ford Scholarships for Drama
Bishop Fox’s Educational Foundation
Albert and Eugenie Frost Music Trust CIO
Mortimer Furber Scholarship
Gillam Giving Circle Scholarship
Girdlers’ Company Charitable Trust
Ralph Goode Award
Haberdashers’ Company
Huddersfield 1980 Scholarship
Elaine Hugh-Jones Scholarship
Professor Sir Barry Ife CBE FKC

     and Dr Trudi Darby
Cosman Keller Art and Music Trust
Damian Lewis CBE FGS
Andrew Lloyd Webber Foundation
Alfred Molina FGS
Ann Orton
David and Margaret Phillips Bursary
Ripple Awards
Dr Leslie Schulz
Scouloudi Foundation
Skinners’ Company
South Square Trust
Graham Spooner
Barbara Stringer Scholarship
Rosemary Thayer Scholarship
Tobacco Pipe Makers and Tobacco Trade

     Benevolent Fund
Frederic William Trevena Award
Edith Vogel Bursary
Wallis Award
Roderick Williams/Christopher Wood Scholarship
Elizabeth Wolfe Award
Worshipful Company of Carpenters
Worshipful Company of Chartered Surveyors
Worshipful Company of Grocers
Worshipful Company of Innholders
Worshipful Company of Tallow Chandlers
Worshipful Company of Weavers

Supporters

Margaret B Adams Award
Adelaide E Alexander Memorial Scholarship
Alexander Technique Fund
Anglo-Swedish Society

George and Charlotte Balfour Award
Peter Barkworth Scholarship
Brendan Barns
Maria Björnson Memorial Fund
Board of Governors’ Scholarship
Ann Bradley
William Brake Foundation
Liz Codd
John S Cohen Foundation
Noël Coward Foundation
Diana Devlin Award
Dominus and the Ahluwalia Family
Robert Easton Scholarship
Gwyn Ellis Award
Marianne Falk
Carey Foley Acting Scholarship
Gillian Gadsby
Iris Galley Award
Andrew Galloway
James Gibb Award
Dr Jacqueline Glomski
Hargreaves and Ball Trust
Hazell Scholarship Fund
Ironmongers’ Company
Gillian Laidlaw HonFGS
Eduard and Marianna Loeser Award

Alison Love – in memory of Barry MacDonald
Mackintosh Foundation
Marchus Trust
Narrow Road
Norwich Chamber Music
NR1 Creatives
The Pewterers’ Seahorse Charitable Trust
Pidem Fund
Peter Prynn
Denis Shorrock Award
Silver Bow Scholarship
Steinway & Sons
Caroline Stockmann LGSM HonFCT
Elizabeth Sweeting Award
Thompson Educational Trust
Louise Thompson Licht Scholarship
Kristina Tonteri-Young Scholarship
HWE & WL Tovery Scholarship
Harry Weinrebe Award
Worshipful Company of Barbers
Worshipful Company of Carmen Benevolent Trust
Worshipful Company of Dyers
Worshipful Company of Gold

     and Silver Wyre Drawers
Worshipful Company of Horners
Worshipful Company of Musicians
Worshipful Company of Needlemakers
Worshipful Company of Wax Chandlers

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We hope you thoroughly enjoy today’s performance at Guildhall School. If you feel inspired by our students and would like to support world-class training for these talented performers and production artists, we would be grateful for a voluntary donation.

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