Wednesday 27 November 2024
6pm
Milton Court Concert Hall
Vocal Scenes
Marc Verter music director
Victoria Newlyn stage director
Programme devised by:
Linnhe Robertson
Artistic & Research Consultant for Vocal Arts
Assistant Director
Daisie Sitlani
Lighting
Viktor Volaric-Horvat
With thanks to Camilla Direk, Manuela Rey-Alvarez and Michael Wardell.
Digital Programmes
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Milton Court
Eating is not permitted in the auditorium.
Drinks are allowed inside the auditorium in polycarbonates.
Filming or recording of the performance is not permitted.
Latecomers will be able to enter the auditorium at a suitable break in the performance.
Guildhall School of Music & Drama
Founded in 1880 by the City of London Corporation
Chair of the Board of Governors
The Hon. Emily Benn
Principal
Professor Jonathan Vaughan
Vice-Principal & Director of Music
Armin Zanner
Programme
Rossini La Cenerentola
Act 1 Quartet
Clorinda
Michelle Cheung
Tisbe
Georgia Tolson
Ramiro
Harun Tekin
Dandini
Cuan Durkin
Pianist
Alicia Hernández Huebra
A lavish party at Prince Ramiro’s country estate. Ramiro and his servant, Dandini, have swapped identities: Ramiro is searching for a bride who will love him for who he is, not for his title or wealth. His teacher, Alidoro, is convinced that one of Don Magnifico’s daughters is the ideal match.
When Ramiro and Dandini visited Magnifico’s house, they encountered two selfish sisters, Clorinda and Tisbe, along with a mistreated servant, Cinderella, who immediately captured Ramiro’s heart.
At the party, the men are trying to understand how Clorinda or Tisbe could possibly be the bride Alidoro envisions. Enter the sisters, each determined to dazzle the Prince—unaware that Dandini is only pretending to be royalty. “Prince” Dandini proposes a double wedding: one sister would marry him, while the other would marry his servant. The sisters are aghast. Marry a commoner? Absolutely not!
R. Strauss Ariadne auf Naxos
Opera opening scene
Najade
Aldi Ho
Echo
Laura West
Dryade
Elizabeth Mwale
Pianist
Alicia Hernández Huebra
A woman has been abandoned by her lover and is consumed by grief. She spirals into torment, observed by three beings who monitor her condition but offer no empathy or comfort.
Purcell Dido and Aeneas
Opening Act 1 Scene
Dido
Dani Croston
Aeneas
Cuan Durkin
Belinda
Aldi Ho
Second Woman
Alice Hermand
Tenor Courtier
Harun Tekin
Bass Courtier
Saul Rothwell
Dido, founder and queen of Carthage, is drawn to the Trojan war hero Aeneas—not only by his commanding presence but also by poignant accounts of his experiences in the war. Yet she is plagued by forebodings about surrendering to a relationship with him. The voices around her urge her to cast aside her fears and embrace love and pleasure. As if on cue, Aeneas appears, pleading for her compassion and subtly exploiting her empathic nature to further sway her resolve.
Janaček The Cunning Little Vixen
Duet (in English)
Vixen
Laura West
Fox
Georgia Tolson
Pianist
Alicia Hernández Huebra
Vixen and Fox meet and are instantly intrigued by one another, though they both try to play it cool. As they talk, Vixen shares her story, and the two agree to meet again. Vixen marvels at being seen as “lovely” by someone else, while Fox, unable to contain the depth of his emotions, abandons his final attempt at small talk and lets his feelings take over.
J. Strauss II Die Fledermaus
Act 2 Watch Duet (in English)
Rosalinde
Hannah Hughes
Eisenstein
Harun Tekin
Rosalinde and Eisenstein are married, but their evening plans are anything but typical. Eisenstein, supposed to be serving time in prison for assaulting a public official, has instead sneaked off to a lavish party disguised as the Marquis de Renard, intent on wooing young actresses. Rosalinde, meanwhile, is supposed to be at home pining for him—but tipped off by an anonymous letter, she arrives at the same party, disguised as a glamorous Hungarian countess.
Unaware of her true identity, Eisenstein is immediately smitten with the “countess” and attempts to seduce her using his trusty chiming watch as bait. Rosalinde, playing along, schemes to pocket the watch as incriminating proof of his wandering eye.
Humperdinck Hänsel und Gretel
Dance Scene
Gretel
Michelle Cheung
Hänsel
Elizabeth Mwale
Two siblings play a dancing game.
Smetana The Bartered Bride
Duet (in English)
Mařenka
Alice Hermand
Vašek
Harun Tekin
A marriage has been arranged between Vašek and Mařenka, two strangers. Vašek, timid and reluctant, fears defying his domineering mother, while Mařenka longs to marry Jenik, the man she truly loves—but she is forbidden to do so.
By chance, Mařenka meets Vašek and quickly realizes he is her unwanted fiancé. Sensing an opportunity, she conceals her identity and spins a tale: Mařenka, she claims, is in love with another man, and the entire village pities poor Vašek for being saddled with such a faithless bride. But, she adds slyly, there is hope—a girl secretly adores him but is too shy to confess her feelings.
Vašek, astonished and flattered, eagerly promises to abandon Mařenka for this other admirer. Little does he know, the “other girl” is Mařenka herself, posing as anyone but the woman he’s supposed to marry.
Mozart Le nozze di Figaro
Letter Duet
Contessa
Dani Croston
Susanna
Michelle Cheung
The Countess is in despair over her marriage to the unfaithful and predatory Count, who has set his sights on seducing her servant, Susanna—on Susanna’s wedding day, no less. But a plan is underway to teach him a well-deserved lesson.
Susanna, who has skillfully resisted the Count’s advances thus far, has just agreed to meet him that evening in the garden. The twist? She and the Countess will swap clothes, ensuring that the woman the Count believes he is secretly meeting will turn out to be his own wife.
It’s a risky and bold scheme, but the Countess is determined to go through with it. She instructs Susanna to write the Count a letter, finalizing the details of their nighttime rendezvous, setting the stage for a moment of reckoning.
Britten Peter Grimes
Act 2 Duet
Ellen Orford
Hannah Hughes
Captain Balstrode
Charles Brocklebank
The Borough is a harsh seaside community, where life is unforgiving and gossip spreads like wildfire. Peter Grimes, a troubled fisherman, has a history of taking child apprentices to help him at sea. After the tragic death of his last apprentice, an inquest warned him against employing another child. Nevertheless, a new boy, John, was found for him, and Ellen Orford, the compassionate schoolteacher who plans to marry Peter, offered to fetch the boy and protect him. Balstrode, a retired captain, knows of Ellen’s efforts to shield John from harm.
But Peter’s volatile nature remains a grave concern. Now, he and John are missing at sea, and the Borough, long suspicious of Peter, is rising against him.
Ellen’s worst fears seem confirmed when she discovers John’s jumper washed ashore. Balstrode proposes a final, irreversible solution to end the unfolding tragedy.
Humperdinck Hänsel und Gretel
Sandman & Prayer Scene
Gretel
Michelle Cheung
Hänsel
Elizabeth Mwale
Sandman
Aldi Ho
Voices
Dani Croston
Alice Hermand
Hannah Hughes
Georgia Tolson
Laura West
Since we last saw them, Hänsel and Gretel have been sent into the forest by their mother to search for food. But as they wander deeper into the woods, the atmosphere shifts, and strange, disembodied voices begin to echo around them…
Forthcoming Events
Postgraduate String Concert
28 November 2024
Silk Street Music Hall
Postgraduate students from the string department present a selection of repertoire in these informal concerts.
Autumn Opera Scenes
28 November – 3 December 2024
Silk Street Theatre
Outstanding performers from the first year of Guildhall School’s Opera Course present classical and contemporary operatic excerpts with piano accompaniment.
Jeanne Leleu Piano Quartet Project
29 November 2024
Silk Street Music Hall
A chamber music recital focused on two main events of 1924: it both celebrates the 100th anniversary of the death of Fauré in November 1924, and the winning of the Prix de Rome by composer Jeanne Leleu who was only the third female to do so after Lili Boulanger and Marguerite Canal.
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